Saturday, April 10, 2021

How we traveled the world with a serial killer and lived to tell about it

Last night my wife, Judy, and I watched the first two episodes of Serpent, an eight-part mini-series about Charles Sobhrag, a French serial killer, on Netflix.

Sobragh, who is serving a life term in a Nepalese prison, is believed to have murdered as many as 16 travelers who had the misfortune to cross his path in the 1970s as they were traveling throughout Southeast Asia. Some were strangled. Some were drugged. Some he burned alive.


In case you’re wondering, this post isn’t a review of the series. My TV reviews don’t attract many readers. I know because I see the statistics.  


No, dear reader (I’ll call you “dear” even though you refuse to read my TV reviews which I slave over for hours), this is the serpentine story of how Judy and I traveled the world thanks to Charles Sobhrag and had a swell time. 


And it begins 40 years ago, in a New York advertising agency where I was working as a copywriter.


Part I -- 1981


Like many of my fellow Madison Avenue creatives, I earned money on the side as a freelancer, writing copy for companies that couldn’t afford to hire big agencies but wanted advertising and marketing materials that looked as slick as if they had. 


One Spring day in 1981, an art director with whom I worked, George, told me that Royal Air Maroc, the national airline of Morocco, was in search of a writer/ art director team to create an 8-page “Guide to Morocco” brochure for travel agents.  George said the airline couldn’t afford to pay cash, but would give both of us two free first-class tickets anywhere they flew. Judy and I had no money, loved to travel and, in fact, were wanting to take a grand vacation to celebrate our upcoming thirtieth birthdays, so I jumped at the opportunity. 


Though neither of us had been to Morocco, the airline was able to provide the photos and background materials George and I needed to research, write and design a professional-looking guide to the country’s culture and attractions. 


A few months later, Judy and I boarded Royal Maroc’s only 747 at JFK, the same plane the country’s king flew whenever he made an official visit.  We were off to Greece for a two-week adventure. 



Getting ready to board Royal Air Maroc's 
one and only 747.

RAM flew twice a week from JFK to Casablanca, and three or four times weekly from Casablanca to Athens. We would have 24-hour layovers in Casablanca both coming and going. No problem. My new friend at RAM got us a good rate at a hotel near the center of the city, 10 miles from the airport. 


Following our overnight flight, a cabbie drove us over a modern four-lane highway to the hotel. That afternoon we explored the Medina, the ancient marketplace that sells everything from spices to clothes and books. Every other tourist attraction, and almost all the restaurants, were closed for Ramadan. 


 Casablanca's ancient Medina


The next morning, we flew to Athens, where we boarded a four-day cruise on a Sad Sack of a ship – the best we could afford on our budget – bound for the Greek islands of Mykonos, Santorini and Rhodes, and Ephesus, Turkey. 



Our Sad Sack of a ship, the Galaxias, in Santorini


Our first night at sea was a rough one. There was a violent storm the Captain later told us was the worst he had ever encountered.  Almost everyone got seasick. I was one of maybe 20 passengers able to make it to the dining room for dinner. But the rest of the cruise was pure bliss. Except for the leaking toilet that flooded our cabin with raw sewage. 


Post-cruise we spent several days seeing the sites of Athens, took a tour to Corinth, and wound up our vacation at a resort where, as we relaxed on the beach, my wife read Serpentine,  a best-seller by Tommy Thompson that recounted the horrifying story of Charles Sobragh and his victims.  One afternoon we joined other guests in the lobby to watch the wedding of Charles and Diana on TV. I had no interest in the wedding, but Judy, an Anglophile and something of an expert on British royals, insisted.


In Greek god mode on the balcony of our Athens 

hotel, overlooking the Acropolis. 

Suffice it to say I don't look like that any more.


On our flight to Casablanca for our second 24-hour layover, we learned our 727 had originated that morning in Saudi Arabia. Freed from that country’s laws which prohibit the sale much less the consumption of liquor,  some of the Saudi passengers were ordering and drinking entire 750 ml bottles from the duty-free cart. We sat next to a Saudi with plaque-covered teeth who was decked out like Lawrence of Arabia, complete with headpiece and flowing robe.  During the flight, he guzzled a full bottle of Johnnie Walker Scotch. Before passing out somewhere over Libya, he told us that one of the many problems he had with Americans is that we never say “shukran” – Arabic for “thank you.”  


The taxi line at the Casablanca airport was long. Cabbies, trying to maximize their revenue, were asking passengers to double up. We climbed into a Mercedes cab with three or four of the inebriated Saudis who were also headed to the city center. Knowing from our previous visit that few Moroccans seemed to understand English, I showed the driver a piece of paper with our hotel name printed on it. He nodded his head. 


Several miles from the airport, the cab driver turned off the four-lane highway onto a dirt road where the houses were few and far between and goats were roaming. 


My wife, spooked by the Charles Sobragh book she had just finished, grabbed my arm and squeezed hard. “Where is he taking us? This isn’t the way to downtown. We shouldn’t have left the highway,” she whispered nervously.


I said I imagined the driver knew what he was doing since he probably made the same trip several times a day.


“No he doesn’t,” she said in a panicky voice, “He’s taking us out into the middle of nowhere and … and … he’s going to kill us!”  


The cabbie stopped the car, turned around and replied, in perfect English, “No I’m not going to kill you, this is a shortcut.”


So ends Part I of my serpentine tale. Now, let's fast-forward 28 years to ...



Part II, 2009


As a long-time subscriber to Budget Travel magazine, I had for years intended to enter the contest featured on the final page of each issue in which readers were invited to submit humorous true stories of 200 words or less about their worldwide travels. Three or four stories were chosen for each issue and the reader who submitted the story deemed best that month by the editors won a trip for two to a destination provided by one of the magazine’s advertisers in exchange for the free publicity. 


One rainy Sunday afternoon, having nothing better to do, I wrote up the story of our trip from the Casablanca airport, Judy’s irrational fear the driver was going to kill us, and his response, and emailed it to the magazine.


Several months later, Judy who had just opened the mail, came rushing into the room where I was sitting. “We won!” she exclaimed, waving the latest copy of Budget Travel. “Your story … it won us a trip to Tasmania!” 


I was thrilled and surprised. Like most writers, I had written that story for my own amusement, just to get it down on paper. The best I’d hoped for was honorable mention. Winning the grand prize was the icing on the cake. 


“Where’s Tasmania?” my geographically-challenged bride asked. “Somewhere in Africa?”


“It’s an island south of Australia,” I explained. 


“Well, I hope we’re flying business class.  All my friends who’ve been to Australia say they’ve flown business class, it’s too long a flight to sit in coach.”


I said I doubted the flight would be in business class. It was, after all, being provided by a magazine promoting low-cost ways to see the world.


The next day I received an email from the editor confirming what I suspected. The trip consisted of roundtrip coach flights on Qantas, Australia’s national airline, from New York to Sydney. There we were to change planes and fly to Hobart, Tasmania, where we would pick up a rental car and drive ourselves around the island, staying in a different B&B for each of the six nights we were to be there.


Never having traveled to that corner of the world, Judy and I agreed that, as long as we were going to be spending 24 hours to get there, we would at least like to see some of the attractions in Sydney, including its renowned opera house. I said I’d contact the prize-provider, a Toronto-based package tour company, and ask if we could lay over in Sydney at our own expense, either coming or going. I also assured Judy I had several hundred thousand American Airlines AAdvantage miles accumulated over the years, and would ask if we could use those to upgrade to business class since Qantas and American were partners in the One World frequent flyer program. 


“No and no,” was the response when I spoke with a representative of the travel company.


“Why?” I asked.


“Because we negotiated free airfare from Qantas which can sell all the business class tickets they want for cash. They don’t let people flying on free coach tickets upgrade with miles. If you want to fly business class, you’ll have to buy your own tickets.”  She said that Qantas had also made it clear there were to be no layovers, because that would require issuing four tickets rather than two and she wasn’t willing to make them mad by asking because she had to work closely with Qantas. So there.


While I didn’t want to seem ungrateful for a free trip to a part of the world we had long wanted to visit, I, too, wanted to upgrade – what else was I going to do with all those miles? --- and to see Sydney. Twenty-four hours of flying was a lot of time if all we were going to do was spend six nights on a remote island somewhere between the Australian mainland and Antarctica. So I called the travel company’s manager  – and even called Qantas  – to see if we could layover and/or upgrade but was told no.


To make this already long story somewhat shorter, when we took our trip in October, 2009, we flew business class both ways and spent our first four nights in Sydney’s Four Seasons Hotel, overlooking the harbor and opera house. In addition to my American frequent flyer miles, I also had hundreds of thousands of miles with Delta, which had just launched its first route between the U.S. and Australia. Happy to fill the seats on its new route, Delta graciously allowed me to purchase full-fare coach tickets upgradable with miles to business class. And I paid full-price for the hotel, one of Sydney’s finest, overlooking the opera house and harbor. Our free trip turned out to be anything but free. It cost an arm and a leg. 


Sydney Opera House

Upon landing in Sydney, we learned that Delta had sent our luggage to Lyons, France. Luckily, it arrived two hours before our flight to Hobart.


We fell head over heels with Tasmania, which is so far off the beaten path we felt we were in a time warp. There were no malls, fast food outlets, big box stores or expressways in sight. It was like traveling back forty or fifty years before America’s small towns were destroyed by Walmart and McDonald’s.

 

Each night we stayed in a modest B&B in a different small town. One day we stopped at a seahorse museum. Another day we visited a sanctuary for Tasmanian devils, ugly pig-like creatures unique to the island that are rapidly becoming extinct due to a pandemic of facial cancer. We visited a lavender farm. 



Lavender farm


We overnighted in the tiny town of Swansea which had a welcome sign proudly proclaiming it had been designated “Australia’s tidiest town.” 




Now that's a warning sign you don't
see every day of the week

One morning we stepped out of our B&B to find our rental car surrounded by a gang of wallabies. Thousands of years ago, Tasmania was attached to the Australian continent. At some point it broke off, drifted out to sea and the kangaroos who survived the trip slowly but surely evolved into miniature versions of their continental relatives. We spent a day in a national park, where we hiked around a glacial lake in the shadow of snow-capped mountains. 


Perhaps the most memorable day of our trip was spent at Port Arthur which, in the early- and mid-1800s, was Australia’s harshest and most remote penal colony to which English judges sentenced criminals, including children who had done nothing more than steal bread because they were hungry. Many prisoners, unable to afford the return passage to Jolly Old England, stayed on and their descendants settled Tasmania and, eventually, the mainland. By the time our week was over, we wanted to stay longer but couldn’t. 


Though I offered her one of the Ambiens my doctor had prescribed to help me sleep on the 17-hour return flight to LAX  (it worked like a charm), my wife refused and tossed and turned in her lie-flat seat all the way across the Pacific. On our connecting flight, she reluctantly accepted one somewhere between LA and Las Vegas and promptly passed out. 


I had to help her stagger off the plane at JFK, deposited her in a chair while I collected our luggage, and she slept all the way to Connecticut where she was surprised the next morning to wake up in her own bed. She claimed the last thing she remembered was the captain’s announcement that we were flying over Las Vegas.


And that, dear readers (and you deserve to be called dear if you've read this far), concludes the serpentine tale of our worldwide adventures made possible by Charles Sobhrag, the serial killer whose story you can watch on Netflix. 


Who knows? Perhaps his story will inspire your own adventures. 




Monday, March 15, 2021

5 terrific streaming foreign TV series to watch while waiting for the pandemic to be over



Andea Riseborough and Dane DeHaan in ZeroZeroZero


Thanks to COVID, Americans have discovered that Hollywood is no longer the only game in town when it comes to television and movie production.

For more than a year now, millions of us have been hunkered down, unwilling to go to movie theaters, or to watch network TV shows that force us to wait a week for the next episode. Many of us can’t remember what we had for lunch, much less the intricacies of a plot from last week. So we stay home, day after day, night after night, and binge-watch streaming TV.


The pandemic has turbocharged the growth of Netflix, Amazon Prime and other streaming services that showcase programs from all over the world, directed by directors you’ve never heard of and starring actors who actually studied acting rather than slid into leading roles because they were models and/or the spawn of Hollywood celebrities. Many foreign TV scripts are original ideas, something that's rarely greenlighted in risk-averse Hollywood which produces formulaic entertainment that relies on special effects rather than coherent plots.


Over the last 12 months, my wife and I have binge-watched more streaming multi-episode foreign TV series than we could have ever envisioned watching in 12 years.  Some didn’t meet our expectations but a surprising number exceeded them. If you missed it, here’s a blog post I wrote recommending some of the best shows we watched during the first six months of the pandemic. 


And here, as a public service are five more, pre-screened for your viewing pleasure, assuming you are willing to read subtitles and have an attention span longer than a Jack Russell terrier.


Even if you’ve been vaccinated, you’re going to be staying home binge-watching TV for the foreseeable future because, Fauci now tells us, the vaccine may keep you from dying but won’t prevent you from getting COVID which you could unwittingly pass along to someone unless you wear a mask in public and you’re sick of that shit not to mention you’re tired of hearing waiters recite tonight’s specials through masks— you can’t understand most of them when they’re not wearing masks much less when they are.  


So you might as well call Uber Eats, park yourself in front of the TV, and imagine yourself someplace far away.


Click the videos below to watch the official trailers for each series.



ZeroZeroZero

Italy

Amazon Prime

8 episodes


There are three interwoven stories in this thriller shot in Italy, Mexico, New Orleans and Morocco, each equally fascinating and disturbing.


In Calabria, Italy, an aging Don, who has been hiding out from his enemies in a mountaintop bunker, orders $900 million worth of cocaine from a Mexican cartel. His grandson, already envisioning himself as grandpa’s replacement, vows to prevent the shipment from being delivered.


In Monterey, where the drugs are hidden in cans of chiles then vacuum sealed for shipment, God tells a Mexican army sergeant to take over that city’s street distribution of coke. At least that’s how the soldier conveniently interprets God’s command; God would no doubt disagree. (“I said hugs, not drugs.”)  One minute he’s leading a team of fellow soldiers executing a bus full of innocent passengers to prove to the locals there’s a new cartel in town, the next he’s attending a fundamentalist church service where people are speaking in tongues and writhing about. 


Meanwhile, in New Orleans, a shipping magnate the Don has always depended upon to deliver his drugs from the New World to the Old, dies, and his two thirty-something grief-stricken offspring decide to oversee the consignment themselves, using one of their father’s ships. Once at sea, things go awry and the shipment is diverted to Senegal, then driven through the jihadist-infested Sahara Desert to Casablanca to be loaded on a new ship. There, the Don’s grandson shows up in a desperate attempt to halt the delivery, discredit the grandfather he loathes, and save his wife and child who are being held hostage back in Calabria. 


The final scene, shot in Monterey, will leave you bug-eyed.


American actor Dane DeHaan, who plays the son of the shipping magnate, turns in an unforgettable performance. Hope he’s keeping an empty shelf to display his Best Actor in a TV series award because he deserves it. Andrea Riseborough, who plays his sister, should get one, too. Not that I would know who deserves what acting award but critics always write as if they are intimately familiar with every actor and his or her roles, and I’m getting paid by the word so I am writing it too. (Disclosure: I don’t get paid to write this blog. I said that to see if you’re still reading.)




Money Heist

Spain

Netflix

4 parts, 31 episodes


The English name of this series is unfortunate and uninspiring. In Spanish the show is titled La Casa de Papel, House of Paper. A much better name. 


A team of misfit thieves, forgers, miners and computer experts is recruited by a professorial mastermind to pull off the ultimate money heist. To ensure they can’t identify their fellow heisters if they’re caught, none are allowed to reveal their names to the others; they’re renamed after cities — Tokyo, Berlin, Rio, Denver, Oslo, Helsinki, etc.  After months of boot camp to prepare  for every eventuality, the group occupies the Spanish Mint, takes hostages, cranks up the presses, and starts printing hundreds of millions of Euros they plan to smuggle out through a tunnel they are excavating under the building. The public is so enthralled by the audacity of this out-of-the-box heist, not to mention the fact that the crooks and their hostages wear Salvador Dali masks making it impossible for cops to tell the good guys from the bad, that they cheer for the bad guys, making the job of law enforcement officials doubly difficult. 


Directing the heist from a hideout outside the Mint, the professor finds himself falling in love with the lead detective who wavers between believing she has, at long last, found the man of her dreams, and suspecting he just may be the thief she’s searching for. One of the hostages, pregnant by the Mint’s manager, falls head over heels with one of the heisters, and joins the group as her weaselly former lover tries to stir his fellow hostages to revolt. Do they escape with the money? That’s what the show is all about and you won’t find out until the very end.


One of Netflix’ biggest global hits, Money Heist has achieved cult status. The actors are mobbed wherever they go.  Originally envisioned as a two-part self-contained miniseries, two more parts were hastily written and produced to cash in on the phenomenon. Don’t bother watching parts 3 and 4. These parts feature the same basic storyline, substituting Spain’s gold depository for its Mint. Instead, sign up for the Sundance Now streaming channel (not to be confused with the plain old Sundance Channel) for a month to watch two altogether different and equally satisfying series.


Tommy’s tip: You can subscribe to Sundance Now through your Amazon Prime account for $6.99 a month and cancel at any time with no penalty. One month is enough to watch the next two shows if you watch two a night, which you easily can if you, like I, have no life. 





The Restaurant

Sweden

Sundance Now

Three seasons, 32 episodes


This soapy series covers a 25-year period in the lives of the well-to-do Lowander family and the employees of the upscale restaurant they own. Think of it as a cross between Downton Abbey and Dallas.


It begins in Stockholm on VE Day 1945 when daughter Nina has a brief fling with a poverty-stricken young man, Calle, who has just started as an assistant in the restaurant’s kitchen. Their on- and off- love affair is one of the several storylines that will keep you tuning in night after night. (Surely you haven’t sunk to the point that you watch streaming TV during the daytime, have you? If you have, you’re not alone. In the early days of the pandemic when we all thought it would be over soon, I did, too. Disgusted after watching three back-to-back seasons of “90 Day Fiance” on TLC’s streaming app, I forced myself to stop but not until I had lost billions of brain cells I’ll never get back.)


The restaurant, which hasn’t changed much over the last 50 years, is being managed by Gustaf, the stodgy oldest son who drinks too much because he has a deep dark secret. Nina, a vacuous party girl, hangs with her equally vapid society friends and wants to start a nightclub. Their brother, Peter, returns home from the war with a girlfriend, a concentration camp survivor — every postwar European series features a Holocaust survivor. He decides he doesn’t want to be involved in the restaurant, becomes a lawyer, but finally has to step in to save it from financial ruin.


Calle, it turns out, is a creative genius. Unlike the long-time chef with whom the matriarch of the family has been having a decades-long affair, he has the ability to create the type of newfangled dishes two of the three children believe the restaurant needs to stay in business. He eventually lands his own TV cooking show, which only increases his reputation.


Margareta, a waitress trying to raise her fatherless child, joins the restaurant workers’ union, rises through the rank and file, and by the end of the series has become one of Sweden’s most powerful politicians. But she has the same troubling secret as Gustaf.


Soapy? For sure. Educational? Yep, if you, like me, are interested in postwar Sweden whose economy was rebuilt by unionization into one of the world’s strongest, then almost destroyed by taxation. (OK, so you aren’t interested in postwar Sweden, but watch it anyway. You know I’m a nerd.) And the clothes, sets and props are outstanding.


As long as you’re subscribing to Sundance Now, scroll down the list of available series and select …





McMafia

UK

Sundance Now

One season (with another on the way), 8 episodes


Money Heist is a bad name for sure but McMafia takes the cake for the worst-named show on TV. 


It’s about neither the Mafia nor McDonald’s. It’s about the family of a Russian-Jewish crime boss who has moved to London to spend his ill-gotten gains and live in luxury. Son Alex has just graduated from law school and is planning to live a crime-free life as an investment banker. Think Al Pacino as Michael Corleone, who wanted to stay on the straight and narrow and settle down with Diane Keaton so he wouldn’t turn out like his old man.


So much for that. Alex’s best-laid plans veer off course early on when his uncle, who has headed the family crime business, is murdered and Alex has to take over, while trying to play against each other the divergent interests of crooks scattered in intriguing locales around the globe who are trying to destroy him and his family.


The star of the show, James Norton, played the likable crime-solving vicar on Grantchester. It’s interesting to see him slowly but surely lose his likable qualities and harden into a ruthless thug while remaining outwardly calm. The settings — the series was shot in Moscow, Cairo, London, Istanbul, Israel and the south of France — are spectacular. 


Net net: McMafia, which borrows heavily from The Godfather (not a bad script to borrow from), is poorly named but highly watchable. Enjoy.






Giri/Haji 

Japan/UK

Netflix

8 episodes


I’m a peaceful kinda guy so I was less than enthusiastic when my wife suggested we watch yet another crime drama. But this series, which means “Duty/Shame” in English, hooked me from the get-go. It’s the tale of two brothers, one a Gallant, one a Goofus.  


Kenzo, a middle-aged Tokyo detective trapped in a stale marriage in an apartment he shares with his parents and punked-out teenage daughter, has, with one secret exception, always done what is expected of him. His much younger ne’er-do-well bro, Yuto, a minor member of a crime syndicate, has knocked up his boss’ daughter, fled to the UK, and murdered a rival gang member which is out for revenge.


The series is set in Japan and London, where Kenzo has been dispatched to track down Yuto, whom the family thinks is dead. There he falls in love with an Irish-Jewish detective who figures out what he’s up to. As he has been all his life, Kenzo is torn between doing what has been expected of a dutiful son, husband and father, and what he wants to do, which is to chuck it all and live out his life with his new lover. Will he? 


The scenes shot in the Japanese countryside, where Kenzo’s wife and mother flee with Yuto’s girlfriend and baby, will enable you to experience a part of the country most Americans will never see for themselves. And the finale? Whoa, you've never seen anything quite like this, I guarantee it. 



So, there you have it — roughly 87 hours of not-so-mindless entertainment which, if you watch three hours per night, should see you through until the Fourth of July when Biden says that, if all goes well, we should all be able to attend socially-distanced backyard cookouts. Swell.


In the meantime, email tom.dryden@gmail.com and I’ll write back with my address so you can send a gift card to show your appreciation. 


Uber Eats gift cards will be especially welcome.